
Wednesday (19:30)
Jin Seong-won, Choi Eun-ju, Kim Jin-woong
[Synopsis] “A Lullaby for Lost Youth” – Comfort Shared Between Schubert and 21st-Century Youth Schubert, who sang of hope and despair from his sickbed in 1823. The wandering of the young miller he depicted reflects the anxiety and loneliness of us living in 2026. We encounter an ironic song cycle of youth where failure is okay and pain is beautiful. Tenor Jin Sung-won, a professor at Gachon University who nurtures the next generation, possesses exceptional interpretive skills and a warm, beautiful voice. His voice unravels the human anguish and youthful imagery composed by Schubert with vocal depth! Pianist Choi Eun-ju, with her seasoned and delicate touch. Her accompaniment embodies the essence of Schubert’s lieder through piano melodies, ranging from the whispers of the stream to the young man’s turbulent psychological shifts! KBS’ rising talent, Announcer Kim Jin-woong. His trustworthy commentary serves as a bridge, lowering the threshold of the beautiful Miller’s Daughter with his captivating voice and delivery! “Every night when I go to bed, I hope I will not wake up again… Only works created by sorrow can bring people the greatest joy…” (From a letter Schubert sent to his friend Kupelwieser in 1824) We present to you the song cycle “The Fair Maid of the Miller,” a record of the ‘will to live’ that Schubert left us. [PROGRAM] Franz Schubert (1797–1828) The Fair Maid of the Miller (Die Schöne Mullerin) D.795 I. Das Wandern (The Wandering) II. Wohin? (Where?) III. Halt! (Stop!) IV. Danksagung An Den Bach (Thanks to the Stream) V. Am Feierabend (After the Day) VI. Der Neugierige (Curiosity) VII. Ungeduld (Impatience) VIII. Morgengruss (Morning Greeting) IX. The Millman's Flower X. Rain of Tears XI. Mine! XII. Pause XIII. With the Green Lute Band XIV. The Hunter XV. Jealousy and Pride XVI. The Favorite Color XVII. The Disliked Color XVIII. The Withered Flower XIX. The Millman and the Stream XX. The Stream's Lullaby

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